中華文明之道，以文化為橋，連世界之心。紀智大師以獨領風騷的藝術語言和智造名城——株洲第一藝術文化地標，托舉了湖南文化藝術的高度，眾多的經典藏品及國際影響力文化出海活動更彰顯了紀智黃花梨文化藝術館不僅是中國的優秀民族品牌，更是獨步國際藝壇的引領者！ ——全美中國作家聯誼會副會長師帥博士

紀智黃花梨文化藝術館的創始人——紀智在大阪世博會上的講話

尊敬的各位來賓，朋友們：大家好！

我是紀智黃花梨文化藝術館的創始人——紀智。很高興能榮登大阪世博會，與大家共襄盛會。今天，我的發言主題是：收藏的終極目的究竟是什么？我認為，是傳播美與智慧，讓歷史的曠古回音在今天思接千載，意通萬里。

我們藝術館擁有眾多珍貴的黃花梨木雕收藏。起初，我和所有藏家一樣，執著于守護它們。但很快我意識到，如果這些瑰寶只被小心翼翼地供奉在展臺上，它們的光芒終究是有限的。我們必須思考：如何讓靜態的收藏，產生動態的價值？于是，我們開始了一場變革，努力讓藝術館超越傳統的“博物館”模式，成為一個文化創新的發動機。我們主要通過三大路徑來實現：

首先，從“觀賞”到“體驗”，打造沉浸式文化課堂。

樸素的明式家具處處洋溢著儒家的儀制與風范，我相信一衣帶水的友邦鄰國日本和我們一樣，傳承了東方傳統美學。我們博物館特別珍藏了一張月洞式門罩黃花梨架子床，每一位訪客嘖嘖稱贊它的光滑溫潤，這代表了中國文化的一種追求自然的境界。老祖宗造字無比智慧，人和木在一起組成一個“休息”的休字。和最貴重的木頭在一起就是最好、最有福報的休息。很多朋友由此愛上了黃花梨的那種美感，那種天然合一，給人無窮想象。通過這種珍品“觀賞”體驗，重新定義我們對知識獲取和文化體驗的期待。我們的博物館，開發了系列教育項目。通過工作坊、木作體驗課，讓中小學生和愛好者們親手感受木材的紋理與溫度，理解榫卯結構的精妙。我們讓收藏“活”起來，不再是遙遠的教科書圖片，而是可感、可觸、可參與的生命體驗。

另一個絕好的例子就是我的博物館分館之一的中國歷史人物木雕造像館。我用黃花梨雕刻有中國歷朝歷代的皇帝462位以及上古正神。眾所周知，海南黃花梨自古就是皇室的貢木。皇室的尊崇讓海南黃花梨擁有了至高無上的文化價值與藝術生命。為此，我大力打造中國帝王文化，并注重故事性和連貫性，通過精心設計的中國帝王故事和生動視頻展線，將中國皇室的歷史脈絡清晰地呈現出來。故宮博物院的余輝老師稱贊我的黃花梨博物館既是對瀕危遺產的搶救性記錄，更是用情感化語言重構公眾與文明對話的新維度。他認為黃花梨表述的文化符號一定要在展陳布局上突顯本質內在屬性，力求和皇家氣派和黃花梨稀有的華貴典雅的文化氣度高度匹配。

其次，從“保護”到“活化”，構建創意資源庫。

我們將珍貴的紋樣、器型、工藝手法進行數字化解析，建立一個開放式的“中式美學基因庫”。這個資源庫，成為設計師、藝術家、動畫師汲取靈感的寶庫。曾經應用于皇宮家具上的纏枝蓮紋，可能今天就會出現在一位年輕設計師的國潮服飾上。這就是傳統文化的當代重塑。

此外，我們積極尋求與商業品牌的跨界聯動。一座博物館要想為觀眾，尤其是年輕觀眾解讀經典的文化，需用新穎的形式表現其豐富內涵。優質的文創設計就是一種很好的載體。文博展列通過各類新穎方式，如制成文博衍生品、開展趣味陳列展、來開啟博物館的文創變革。比如，與高端茶品牌合作，以館藏茶器為靈感，共同開發聯名產品；與游戲公司合作，將木雕中的神話人物、瑞獸紋樣授權成為游戲中的藝術元素。通過IP授權、聯合開發，我們讓黃花梨藝術不再是高高在上的陽春白雪，而是能夠融入現代生活、產生商業價值的文化符號。

最后，從“獨享”到“共享”， 走出國門，通過國際交流融合實現資源共享和國際傳播新路徑。

我們秉承的宗旨是聚力打造創新引擎，驅動文化新航程。紀智補全版黃花梨木雕清明上河圖長卷搭乘出海洋流，2024年1月舉辦的中美建交45周年的新春招待會上，我們的海外文化大使師帥博士向中國駐美大使謝鋒大使介紹了聚典閣黃花梨博物館的創立與發展。謝鋒大使高度贊揚紀智先生是一位傾情傳播中國傳統文化的赤子，在文化傳承上做出了新貢獻。2024年5月在亞洲文化遺產基金會在美國首都國會山前舉行年度亞洲文化博覽會（Fiesta Asia）上北美清明上河圖研究會向美國民眾完美展示了聚典閣的特色文創產品——紀智補全版清明上河圖長卷，弘揚了文化自信，為推動優秀傳統文化借力文創產品出海傳播開辟了新航道。

朋友們，隔海相望的日本是中國傳統文化的“保鮮”冰箱之一。我們以前不重視的、失傳的文化，往往能在日本中尋到可貴的“吉光片羽”。我們高度重視與大阪世博會的文化共建、共享、共生。博物館是保護和傳承人類文明的重要場所，提升博物館的公眾服務能力、創新文化吸引力，才能讓博物館對人類文明進步產生的源源不斷的貢獻。一座藝術館的價值，不在于它收藏了多少過去，而在于它能激活多少未來！

一切皆是命運的感召。一切皆是福報的感召。我們已經從“收藏家”用心修煉成為了“賦能者”。我們深信每一件藏品都成為一棵匯聚生命靈光的種子，在創新的春風中，在時空的輪回中生根發芽，最終眾木成林，集秀成韻，風華絕代，光耀千古！

謝謝大家！

（英文版）

Dear distinguished guests and friends:

I am Ji Zhi, the founder of Ji Zhi Huanghua Pear Culture and Art Museum. I am very glad to be honored to participate in the Osaka World Expo and share the grand event with you. Today, the topic of my speech is: What is the ultimate purpose of collecting? In my opinion, it is to spread beauty and wisdom, so that the ancient echoes of history can be thought for thousands of years today.

Our Art Museum has a large collection of precious Huanghua pear wood carvings. At first, like all collectors, I was obsessed with guarding them. But I soon realized that if these treasures were only carefully enshrined on the exhibition stand, their brilliance would be limited after all. We must think about what we can do to ensure static collections will produce dynamic value? As a result, we have begun a revolution, striving to make the Museum of Art transcend the traditional "museum" model and become an engine of cultural innovation. We mainly achieve this through three paths:

First of all, from "viewing" to "experiencing", we should create an immersive cultural classroom.

The simple Ming-style furniture is permeated with Confucian rituals and styles everywhere. I believe that Japan, a neighboring country separated only by a strip of water, has inherited the traditional oriental aesthetics like us. Our museum has a special collection of a moon cave door cover Huanghua pear shelf bed. Every visitor praises its smoothness and warmth, which represents a realm of pursuing nature in Chinese culture. Ancestors created characters with great wisdom, and people and wood together formed a "rest" character. Being with the most valuable wood is the best and most rewarding rest. Many friends fell in love with the beauty of Huanghua pear, the natural unity, giving people endless imagination. Through this "viewing" experience of treasures, we redefine our expectations of knowledge acquisition and cultural experience. Our museum has developed a series of educational projects. Through workshops and woodworking experience classes, primary and secondary school students and enthusiasts can personally feel the texture and temperature of wood and understand the subtlety of mortise and tenon structure. We let the collection "live", no longer a distant textbook picture, but a life experience that can be felt, touched and participated.

Another perfect example is the Wood Carving Museum of Chinese Historical Figures, one of my museum branches. I use Huanghua pear to carve 462 emperors of Chinese Dynasties and ancient gods. As we all know, Hainan Huanghua pear has been the tribute wood of the royal family since ancient times. The respect of the royal family makes Hainan Huanghua pear have the supreme cultural value and artistic life. To this end, I vigorously create Chinese imperial culture, and pay attention to storytelling and coherence, through well-designed Chinese imperial stories and vivid video exhibition lines, the historical context of the Chinese royal family will be clearly presented. Teacher Yu Hui of the Palace Museum praised my Huanghua Pear Museum as not only a rescue record of endangered heritage, but also a new dimension of reconstructing the dialogue between the public and civilization with emotional language. He believes that the cultural symbols expressed by Huanghua Pear must highlight the intrinsic attributes of the exhibition layout, and strive to match the royal style and the rare luxurious and elegant cultural demeanor of Huanghua Pear.

Secondly, from "protection" to "activation", we should build a creative resource bank.

We will digitally analyze the precious patterns, shapes and techniques, and establish an open "Chinese aesthetic GenBank". This resource library has become a treasure house for designers, artists and animators to draw inspiration. The twining lotus pattern, which was once used on palace furniture, may appear on a young designer's national fashion clothes today. This is the contemporary remodeling of traditional culture.

In addition, we actively seek cross-border linkage with commercial brands. If a museum wants to interpret the classical culture for the audience, especially the young audience, it needs to express its rich connotation in a novel form. High-quality creative design is a good carrier. Through various innovative ways, such as making cultural derivatives, launching interesting exhibitions, the exhibition will open up the cultural and creative transformation of museums. For example, cooperate with high-end tea brands to develop co-branded products inspired by the collection of tea wares; In cooperation with the game company, the mythological figures and auspicious animal patterns in the woodcarving are authorized to become the artistic elements in the game. Through IP authorization and joint development, we make Huanghua pear art no longer a high spring snow, but a cultural symbol that can integrate into modern life and produce commercial value.

Finally, from "exclusive" to "sharing", we should go abroad and realize the new path of resource sharing and international communication through international exchanges and integration.

Our aim is to build an innovative engine and drive a new cultural voyage. At the New Year reception for the 45th anniversary of the establishment of diplomatic relations between China and the United States held in January 2024, Dr. Shi Shuai, our overseas cultural ambassador, introduced the establishment and development of the Judiange Huanghua Pear Museum to Ambassador Xie Feng, the Chinese Ambassador to the United States. Ambassador Xie Feng highly praised Mr. Ji Zhi as a child who devoted himself to spreading Chinese traditional culture and made new contributions to cultural inheritance. In May 2024, at the annual Asian Cultural Exposition (Fiesta Asia) held by the Asian Cultural Heritage Foundation in front of the Capitol Hill in the capital of the United States, the North American Qingming Shanghe Tu Research Association perfectly demonstrated to the American people the unique creative product of Judian Pavilion, the long volume of the Qingming Shanghe Tu, which promoted cultural self-confidence and promoted the United States. It has opened up a new channel for promoting the dissemination of excellent traditional culture through the use of creative products.

Friends, Japan across the sea is one of the "fresh-keeping" refrigerators of Chinese traditional culture. The lost culture that we did not attach importance to before can often find valuable "auspicious feathers" in Japan. We attach great importance to cultural co-construction, sharing and symbiosis with the Osaka World Expo. Museums are important places to protect and inherit human civilization. Only by enhancing the public service ability and innovative cultural attraction of museums can museums make continuous contributions to the progress of human civilization. The value of an art museum lies not in how much past it collects, but in how much future it can activate!

Everything is inspired by fate. Everything is the inspiration of good fortune. We have become "enablers" from "collectors". We firmly believe that every collection will become a seed of life, take root and sprout in the spring breeze of innovation, in the cycle of time and space, and eventually become a forest of trees, a collection of beautiful charm, peerless elegance, shining through the ages!

Thank you all!

紀智黃花梨文化藝術館

簡介

紀智黃花梨文化藝術館，由愛國僑胞企業家紀智先生創辦，位于中國湖南省株洲市天元區黃山路205號，藝術館占地面積27畝，建筑面積28000余平方米，是集收藏、展覽、研究、文化交流于一體的傳統文化展示基地。

藝術館以木為載體，致力于傳承和弘揚中華優秀傳統文化。核心展品包括獲國家版權登記并榮獲第四屆“中國林業產業創新獎”的《紀智補全版清明上河圖》黃花梨木雕（長88米、寬2米，用材20余噸），以及中國十大傳世名畫黃花梨木雕、中國歷史人物木雕造像、明清家具、佛教藝術造像、愛國主義教育館等。這些木雕作品采用浮雕、透雕、鏤雕等多種技法，栩栩如生，具有很高的藝術和文化價值。

紀智先生花費多年心血，投入巨資將個人收藏與藝術創作相結合，旨在打造一個展示中華木作文化魅力的平臺。藝術館還注重公益教育與文化傳播，設有木作國潮文化研學體驗館，積極開展公共教育活動。

2019年以來，藝術館作品曾受邀參加迪拜世博會中華文化館展覽，向世界展示中華傳統文化。紀智先生也曾表示愿將這些文化財富贈予家鄉株洲，造福市民。藝術館不僅是株洲市傳統木作文化展示基地，更成為了湖南省一張重要的文化名片，立志要為中華文化出海奉獻自己的一份力量。